![]() ![]() “Then one of the team members did one I liked, and they said it was a lot like something from Cocoon, which I had never seen. ![]() The best part? Fu says he’s not even really that big a sci-fi fan, and it took someone on his crew to point out that one of the most memorable scenes - when Mizuhara appears out of nowhere in a glowing form - was an unintentional reference to another 1980s sci-fi fantasy/comedy. “That effect where Kiko appears in front of Abel… I couldn’t describe the ‘hot glow’ look I wanted where you can’t quite make out the details,” he says. “I wanted the colors to reinforce the overall aesthetic, so the pink and blues were kind of like the palette from the end of the Knight Rider credits,” he says of the kitschy 1980s series starring David Hasselhoff and his talking car. Play over 265 million tracks for free on SoundCloud. But after some discussion, he decided to go even more vintage, down to the colors of the sunset. Daft Punk - I Feel It Coming (Acapella & Instrumental Version) by DOPEZOUND Reposts on desktop and mobile. The clip has the by-now-signature old VHS-tape-fuzz look that Fu has employed in his past work with The Strokes and Daft Punk. ![]() Fu was adamant that the female romantic lead balance out the French robots and Canadian/American singer, so he pushed for Japanese-American model Kiko Mizuhara to give the story a worldwide, non-national feel that makes it seem more timeless. The pastel-colored backgrounds in the film were all created using a rear-projection system with colors Fu researched in an attempt to match the palette of the “dawn of man” scene from Kubrick’s iconic 2001: A Space Odyssey film. The Weeknd & Daft Punk Perform 'Starboy'/'I Feel It Coming' Mash-Up at 2017 Grammys ![]()
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